Friday, April 29, 2016

Some Blues Stops Visited in April 2004

Sonny  Boy's grave outside Tutwiler, Mississippi


Whiskey bottle, harp, coins to honor this gifted, iconic bluesman


Water tower in town


Clarksdale, MS: a small blues club on the outskirts of town, Bobby Rush poster


Clarksdale: Riverside Hotel where so many blues singers stayed,
 and where Bessie Smith died after a car crash in 1937

The old Union Station in Clarksdale


Old gas station in Lula, MS


City park and water tower in Lula (in contrast to previous image!)


Just north of Greenwood, MS, the place Robert Johnson was laid to rest in 1938



The graveyard


Looking back to the church building

Robert's grave


Robert's grave




The incredible inscription showing RJ's dying plea


The pecan trees surrounding the graves


Chicago: Buddy Guy's Legends nightclub 


Legends, other side


Bonnie Bramlett inside BG's Legends


Bonnie Bramlett


Bonnie

Sunday, April 24, 2016

Mike Leadbitter, Chris Strachwitz, John Lee Hooker, Robert Lowery in Summer of 1974

"London, July 13th, 1974. Made long trek to Chris Wellard's record shop - asked about Lightnin' - a guy took me to (blues authority, author) Mike Leadbitter's house at six. I rang bell, and down Mike came, asked me up! He and I discussed my Houston venture for 40 minutes, he gave valuable advice, to use car to get there, wear shabby clothes & bring whiskey…(I only did the shabby clothes!) ..he was very encouraging and understanding about my desire to meet Lightnin’, and my concerns. He said I must call him when I return, wished me luck, told me I would find him; and we shook hands goodbye - good man.

San Francisco, August 28th. I left to get the very recently opened BART tube system to El Cerrito - as I'd called (label founder, blues/roots music authorityChris Strachwitz, who had told me Hopkins address etc! At the Arhoolie warehouse on San Pueblo I asked him questions while he packed records - he gave me valuable gen (info); also there I looked up John Lee Hooker(!)'s number - rang it - his wife answered - he said in the background "I'll talk to him " - I told him I'd like to see him, was from Scotland - he said he'll be out of town for couple of days, was tied up today, but should phone him late Friday! His voice so familiar, he stuttered too. Bought a Hopkins & a Bonner LP (demos) for $1.50 ea. from Chris, left El Cerrito. Walked on Telegraph Ave.

Santa Cruz, September 1st. .....walked to be at bluesman Bob Lowery's house at six. This youngish grandfather commented I was perfectly on time, welcomed me in - his family all there, in kitchen. He has a National Steel, played first with bottleneck, Robt. Johnson numbers - "Sweet Home Chicago", "32-20 Blues", "Dust My Broom", "Last Fair Deal Gone Down", and "Kind Hearted Woman" - played impeccably, sang less emotively than original (naturally enough!). He then did a couple of superb Hopkins numbers - all of "Hello Central" and part of "Mojo Hand" and "Katie Mae" - great guitar runs he did!

We talked a while - he moved from Arkansas to Oakland in 1956 but soon went to Santa Cruz. Used to play on the streets, now does picnics (e.g. tomorrow) and concerts (e.g. next Sat.), has been in San Francisco blues festival recently.

We talked about other things - I answered his questions about Scotland, told him about S. Africa. He was very intrigued Chris Strachwitz had told me about him, wanted to know all he'd said - Bob dearly wants to record more than the EP or two he's done, and also to do more performing - would love to be brought over to Europe.


He carried on playing - "Greyhound Blues", Hooker's "Dimples", Muddy's "Louisiana Blues" and "Rock Me", "Baby, Please Don't Go" and "Little Red Rooster/Goin' to Kansas City". I was there for more than two hours, sitting with him on his living room couch while he played, sang and talked. I was really moved at first when he began - it was so good! I shall write Mike Leadbitter about him (he told me it was fine) - he obviously wants and deserves the publicity - being an old time country blues singer, playing many styles. (This did happen, starting with his appearance at the SF Blues Festival in 1974Finally at 8.10 he finished "Rock Me" and said he'd had enough - we shook hands, we BOTH thanked each other for a great evening!" 

Legenday Arthur Crudup February 1971 in Scotland - meeting first major bluesman

Arthur “Big Boy” Crudup

"Friday, February 19th, 1971, Dundee, Scotland “……I’m saving the rest of this page to describe the blues concert in Dundee. At 3:20 I pelted home (from school; I was 16) and rushed off again, being lucky with the buses, and was at Bryan’s before 4:30. Mrs C took us to Waverley Station where we got the train for Dundee (we were carrying our sleeping bags, by the way). Arrived at seven after boring 90 minute ride. Nikki met us with a couple of pals and we walked to the students’ union on Marketgait: a good, modern hall. We went into a little room, and there was “Big Boy”!! We got his autograph in pencil and left him. His hands were large! At half eight Brewers Droop started playing – they are the group that tours with him in Britain. They were very good esp. the guitarist. “It Ain’t the Meat it’s the Motion” was a song that went over very well!

At 10 Big Boy came on to join the group. His music was incredible. Absolutely incredible. He played 2 1/2 hours (at 65 years old, that’s good!) doing e.g. “That’s All Right Mama”, “Rock Me Mama”, “Dust My Broom”, “Mean Old Frisco”, “Look on Yonders Wall”, “Katy Mae”. Brewers Droop played with him well. I’ve never been to such a good concert. I can’t express how good he sounded, but he has a high-pitched voice, very personal. Got to sleep at about three o’ clock next day.”

(Below are the autograph and ticket)

Mr. Crudup's autograph

My ticket to the show



Sunday, April 17, 2016

Blind Lemon Jefferson Memorial Service - Dedication of his first engraved tombstone, September 1997, Wortham, Texas.

"Saturday, September 13th, 1997, Wortham Texas. Don and I drove south in the early bright from the Dallas area to the small burial ground just outside of the country town of Wortham (pop. 1,019). We had been listening for an hour and a half to a freshly made audio tape of Blind Lemon Jefferson recordings, appreciating the lyrics of such greats as “Piney Woods Money Mama”, “Oil Well Blues”, and most appropriately “See That My Grave Is Kept Clean”.  We left the pickup on the roadside at 9:20 and walked up to the far side of the Freestone County Black Cemetery, where an awning had been put up for the service.

Jefferson had been buried in that graveyard on a very rainy day in December 1929. Most of the Jefferson family is buried in Teague, about 20 miles away, but the weather was so bad when Lemon’s body arrived by train from a snowy Chicago it was decided to lay him to rest in Wortham. The grave was never properly marked.

One man who attended Lemon’s funeral was Quince Cox, now 94 years old. He had known Lemon around 1915 when the singer would walk into town with his guitar on Saturday evenings to entertain the townsfolk. Mr. Cox told us yesterday that he shone shoes in the barbershop of a hotel in Wortham and would clear a space on the porch and set a chair down for Lemon to perform from. Then the dancing would begin. Lemon, the youngest of several brothers and sisters, was living at the time with his mother Classie on the small farm at Couchman where he was born in 1893. The hotel building, being on the wrong side of the tracks, was torn down many years ago.

As a young boy, Blind Lemon Jefferson was seen and heard on the streets of Wortham with a tin cup affixed to his guitar, playing for pennies and nickels. Quince Cox says that Lemon always knew the size of the coin being dropped into the cup and when a quarter or half dollar was deposited, he would sometimes pick it out and feel it with his fingers. From his late teens and through his twenties he played and sang at picnics and parties around Wortham. It was at a Baptist picnic in Buffalo, Texas around 1920 that a legendary meeting took place between Lemon and an eight year old boy called Sam Hopkins. Imagine the 27 year old master encouraging the future blues giant and allowing him to pick along as he sat perched high up on a pickup truck..... By this time Lemon had already left Wortham for the brighter lights of Dallas where he entertained dancing men and women in the bars and brothels of Deep Ellum. In Dallas he was discovered in 1925 and as a result he relocated again to become a major recording artist in Chicago.

(Oil was struck on Thanksgiving Day, 1924, a few years after Lemon had relocated to the big city, sometimes called “London” (but in fact Dallas) and the population of Wortham swelled from one thousand to about 30 times that amount! Cox says that he sometimes made a hundred dollars in one day shining shoes during the Wortham oil boom. The boom lasted about seven years, and then the population shrank back to its original size.)

The graveside memorial service was opened by a woman from the Wortham Community Development Center. A gospel song was followed by a strong scripture reading from the Book of Joshua by Elder Davis of the Teague Baptist Church. After a prayer by Rev. Curtis Jefferson (3rd cousin of Lemon) and a song led by Elder Davis, a fine account of the musician’s life was read. A short gospel song was sung by the father of Rev. Jefferson.

All present were invited to offer tributes. An elderly black lady spoke movingly of her mother and her musical family who used to invite Blind Lemon to play songs at her home when she was a young girl. She had tears in her eyes as she remembered her mother and the great musician. I gave a short tribute saying that Lemon and Lightnin’s music had reached overseas to Scotland. Thanks were extended to all who contributed to the gravestone fund, the very recent cleanup of the cemetery (under Joe Butcher, with help last week from a group of prisoners), and for the respect shown towards Mr. Jefferson’s memory and music. The Jefferson family members talked with us and graciously posed for photographs.

A delicious breakfast was offered by blues-eller John and his wife, who opened their home to fifteen or twenty blues fans and Jefferson family and friends, including the fascinating Quince Cox. Don O. gave Mr. Cox his tape of Blind Lemon’s music, and we listened to several songs together after quizzing this living link to the past about Lemon’s looks, personality, music and travels...



Later in the day the First Annual Blind Lemon Jefferson Blues Festival kicked off in downtown Wortham. Curtis Jefferson and his Imperial Gospel Singers sang two beautiful numbers a cappella. They wore black suits and ties, four serious but joyful elderly men. We had fun waving at all the kids being driven around by John’s wife on the festival golf cart! Later Jim Suhler played three great acoustic numbers, including Jefferson’s “the blues come to Texas loping like a mule” ('Got The Blues', 1926).

R.L. Burnside, Paul "Wine" Jones, Gene Barge & the Chicago Rhythm and Blues Kings, A. C. Reed & the Spark Plugs, Chicago, May 1997.

"Friday, May 23rd, 1997. After a good Italian meal we went to the Double Door where Paul "Wine" Jones was already on stage; he is a Mississippi bluesman in his late forties I'd guess, slim, animated, playing raunchy guitar backed by bass and drums. He was loud and basic but the words were largely drowned in the music, the sound man's problem. He had an enthusiastic audience, not regular blues fans I think for the most part; one young dude with long hair was doing a chicken hop dance; but enjoying the show is what it's all about. The Double Door is a rock club, physically OK except there were 30 seats max. and you're expected to stand or dance during the whole show. Jones played one or two Jimmy Reed songs in his set. Would enjoy him more in a small club and with better miking.

R.L. Burnside came on after a break and put on a good set of dark Mississippi amplified slide, groove guitar and nice singing. I did not pay him all the attention he was due because I was sitting way at the back on a stool, chatting. I was soon ready to leave for a more blues-friendly ambiance.

Two of us left Wild Bill and taxied to Blue Chicago, where the wonderful, loud sound of the Chicago Rhythm and Blues Kings greeted us. A band of "all stars" featuring Gene Barge, a potent sax player and showman. I had never seen Barge before, knowing him only as a producer, writer, and player on Buddy Guy's 1967 "Left My Blues in San Francisco" recordings for Chess. He was charismatic and cheerful, a talented pro with a tight band. He sang great too: an excellent set! The last three or four numbers had a young blues singer-guitarist from Israel fronting the band – great stuff!! I do not recall his name but he’d just arrived from Denver. He told me he was heading over to Kingston Mines because they're open until 4 a.m., so that became our next destination, especially because of who was heading the bill.

We took a cab many miles to see A.C. Reed. When we walked in the club, there he was, sitting, relaxing and waiting to play. Kingston Mines is an interesting venue because it has two separate stages, one always active. We ignored t'other side where music was playing and talked to Mr. Reed who was gracious enough to answer questions and chat to me, sign his latest CD "Junk Food" and pose for photos. He said he WAS Jimmy Reed's half-brother (same father); I mentioned I'd seen him in 1982 in Grinnell, Iowa when he was playing with Albert Collins and the Ice Breakers. He had a young woman chatting to him, and insisted that she be in the photo of us together! His speaker/amp says "A.C. Reed the Man That's Full of Sh*t!" on it. He told me he had retired (he must be in his late 60's a least) but got bored with it, wrote a batch of songs, recorded them and went back on the road..... He is quite a bluesman. Phil Guy wandered in and was friendly towards anyone who went up to him -- another conversation and Kodak moment for me! It helped to be sitting right at the front!

The Spark Plugs finally got on stage sometime before three. We'd devoured a delicious grilled ham and cheese sandwich from the still-open kitchen to keep us going. A crack band. The quality of these Chicago-based blues groups is unbeatable. They really rocked, and were so in step with one another. Three top-notch lead guitarists taking turns, bass, and a drummer who at times stood up on his kit and almost touched the ceiling!

A.C. joined them after a while and got going on his songs. Dressed in a black flat cap, dark sunglasses, white shirt, dark pants with a blue stripe down the side, he cradled his saxophone and sang and blew like a demon. He put on a great set!  His music has humor and irony in the words, and a wonderful beat. I danced to most of it (not the normal me), as there was a young woman from Sydney, Australia there who HAD to dance. Reed is a great act to see live, and his recorded music is very enjoyable too.


Another terrific Chicago night of blues had passed."

Michael Coleman, Karen Carroll, Eddie C. Campbell - May 1997, downtown Chicago

"Wednesday, May 21st, 1997. Tonight I "educated" 25 out-of-town bankers about what a Good Blues Experience can be! I took them to the club Blue Chicago to see Michael Coleman and the Backbreakers with Karen Carroll and bonus guest artist Eddie C. Campbell.

We wandered in at ten and took over the tables and booths close to the stage; the first set had just begun. Coleman is a fine guitarist with a tough city blues style; he was accompanied by solid drums, bass and electronic keyboard, a good band with a pleasant demeanor. He sang well, too. After three or four strong numbers, Karen Carroll took the stage. She is a great blues singer, an example of the wealth of blues talent in Chicago unknown nationally, but who has toured Europe many times and is no doubt better known over there. No ax to grind - just recognition of the richness of living blues in Chi-town.

Carroll really commanded the audience with "Love Her With A Feeling", amusing all my uninitiated colleagues and thrilling the longtime blues fans. She mixed it up with a bluesy ballad here and a soul song there, but returned often to the raucous man-woman blues themes, much to the whole club's delight - her band included…

The second set got started and then in walked Eddie C. Campbell, to whom Coleman respectfully surrendered the microphone and the stage, backing him up while standing below and behind him at the side of the platform. Campbell got into a blues groove, very "primitive", compelling stuff. His vocals were rougher than Coleman's, ideally suited to his rough but appealing guitar style that led the band so forcefully. No pretty single-note solos, just a helluva dance groove. I don't know much about Campbell, but saw him a long time ago, and was delighted that he "invaded" the show and strutted his thang for four or five numbers this night. Coleman gave up his own guitar for a little while and amusingly played with Campbell's walking cane, reminding me of a playful James Brown or perhaps Dr. John...

Carroll got up again and continued to charm the audience, keeping them in stitches with her ribald tales of love. She's a bona fide blues mama. She was also fun to talk to, interesting and knowledgeable. I must mention her brilliant Delmark CD "Had My Fun" DE-680: it cleverly captures her live on the first four numbers, and on the remaining six cuts she beautifully and forcefully sings great material, backed strongly by the Johnny B. Moore band. This is the kind of record that should be on the national charts (I'm dreaming, I know). Bob Koester is responsible for recording and releasing the highest calibre modern blues, and this is a fine example!


It's hard to imagine a better night of blues than this one. Two o' clock closing time came way too soon......."

(Advance to 1997) - Liz Mandville, Johnny B. Moore in Chicago


"Tuesday, May 20th 1997. Wild Bill and I paid Lorenzo at Blue Chicago on Clark the $6 cover and were escorted by a waitress to a seat in the crowded half-club. The Aron Burton band was knocking it out tastefully, warming up the crowd which included 50 German tourists. Singer Liz Mandeville Greeson got on stage in her little green dress (she remarked that it looked bigger in the store!) and quickly took command, joking with the crowd in English and broken deutsch. She has been singing blues since 1982, and has a strong repertoire and - dare I say it - lots of sex appeal. She writes her own songs; her cd "Look At Me" (Earwig 4938CD) contains 14 songs all penned by her. "I'm So Blue (Cause Both Of My Men Are Gone)", "I'm on a Rocket Tonight", "That's What A Man'll Do To You", are some of the numbers she belted out. One set and then Wild Bill and I had to walk 4 minutes to Blue Chicago, the sister club on Clark to catch our other act.

Blue Chicago is a great blues club -- my favourite -- because it has these ingredients. Good sized stage, ten or twelve tables and booths right up front with an excellent view, a long bar further back selling Honey Brown, sweet waitresses, clean rest rooms, plenty of seating along two sides of the bar and all the way to the back of the club (actually the entrance) -- oh, and excellent blues acts.


When Johnny B. Moore came on stage, his wife had already made her over to my table to sell his latest cd, "Troubled World" on Delmark (DE-701), which she proceeded to sign. I had seen Moore in the late '70s with Koko Taylor, and he is as tough as ever, and very self-assured. He has a gritty, solid groove and an intensity on-stage that drives his band hard.